There is so much to say that I don’t even know where to begin. I’ve never been the biggest fan of Game of Thrones, mostly because I’m a die-hard book fan. I enjoyed the first season (though definitely still had issues with it), but starting in season 2 the plot and characters started to diverge so radically from the books that I was getting very, very annoyed. With the introduction of Dorne and the exclusion of Arianne Martell, I quit watching the show entirely, because it was just painful to watch by that point, but I started tuning in again on and off during season 6, mostly just watching the Sansa Stark scenes. I watched season 7 a bit more closely but still not religiously, but with everyone talking about the final season and me having serious FOMO all the time, I decided to watch every episode.
Before I get into my grievances with the final season (and there are…grievances), I just want to say that despite everything, I’m just so amazed with what this show has achieved. It’s been a decade-long labor (I started watching this in high school!), and while the writing has often been sub-par, the show has done absolutely incredible things in set design, acting, music, and cinematography. And more than that, it introduced high fantasy into the mainstream cultural zeitsgiest in such an unprecedented way! A Song of Ice and Fire is a classic high fantasy series that started in the late ’90s, and now it’s one of the biggest worldwide phenomenons in television history. It’s inspired so many emotions – yes, including anger – but I’m so in awe of anything that can bring people together in such a massive way that I can’t help but be appreciative and thankful that this show existed. I can’t believe it’s over.
Continue reading “TV Corner: Game of Thrones Finale”
A little over two years ago, I wrote an article for The Mary Sue called The Complicated Role of Arabs in American Television. In said article, I discussed the dearth of roles for Arabs on TV, and then proceeded to do an in-depth analysis of the – at the time – only three Arab characters in the history of American television. Two weren’t even played by Arab actors, and only one had a plotline that didn’t revolve around terrorism in some way.
When I saw the ad for Ramy, I was stunned. I couldn’t believe it. A whole show about Arab-Americans? On a popular American streaming service? A show about Arab-Americans in America that has nothing at all do with terrorism? A comedy, at that? With actual Arab actors speaking actual Arabic instead of mangled gibberish? Continue reading “TV Corner: Ramy”
If you’ve only read the first five pages of a book and could immediately tell you weren’t going to get along with it, is that technically DNFing? Does it count if you literally couldn’t make it past the first chapter?
That is what happened when I attempted to read Deborah Harkness’ A Discovery of Witches. When the book and I didn’t get along (I can’t even tell you why – something about the writing bugged me), I thought I would try the TV series, which is basically a mash-up of Twilight, True Blood, and Outlander. Continue reading “TV Corner: A Discovery of Witches (Season 1)”
There will be MAJOR SPOILERS for the final season of Salem in this post.
This has been such a strange show. At times humorous, at times utterly depressing, it added some interesting bits to witch mythos, even if it didn’t always make the most sense. In the final season, it simultaneously hit its stride and backed itself into a corner.
Continue reading “TV Corner: Salem (Season 3/Final)”
Oh lord. This has been one hell of a season. This will be a spoiler-filled discussion, fyi. Also, if you’ve watched this show, please come talk to me about it!
Salem is such an odd show – I can never quite tell what it wants to be. I’m not sure its writers know either. It’s such a muddle of things – mythologies, folklore, morality – and it is ever-changing and ever-shifting.
Continue reading “TV Corner: Salem (Season 2)”