I’d never paid very much attention to prize lists before, but I have several friends who regularly read the entire Women’s Prize List, so these book prizes slowly started becoming ingrained into my psyche. This year, very much on a casual whim, I decided that I would read the all Hugo novel finalists. Partly, it was because when I saw the Hugo list I realized I’d already read two of them and planned to read two more, but also because it’s kind of fun to read the entire list and make guesses as to which one will win!
And also, you know, SFF is my genre. It’s what I write and mainly what I read, so it certainly behooves me to be aware of what is popular in the community. This is a particularly salient point for the Hugos, because unlike, say, the Women’s Prize books, which are selected by a panel of judges, the Hugo finalists are based on votes by members of Worldcon, so it really is an indication of the community’s current inclinations. When I say “the community,” of course, that’s a complicated word – most lay readers are probably not members of Worldcon, nor are they voting in the Hugos, so these nominations likely reflect people who are in the industry – writers, editors, reviewers, artists, etc.
I only committed to read the adult novels, because short stories and novellas and novelletes usually aren’t my thing.
Anyway, read on for my thoughts! Continue reading “Hugo Finalists 2020”
Now that we’re officially halfway through the year, and I have read 62 books, it’s time to talk about my ten faves of the year so far! These are arranged in the order in which I read them. It’ll be interesting to see which books make it to the best books of the year in December! These are in the order that I read them, because ranking them is too stressful. ¯\_(ツ)_/¯
(Note: I am choosing not to include nonfiction, as I’ve been reading more nonfiction this year and will probably just talk about all of them in a separate post at the end of the year.) Continue reading “Best Books of 2020 (So Far!)”
The Mermaid & Mrs. Hancock
Imogen Hermes Gowar
I think the best way to describe The Mermaid & Mrs Hancock would be: uneven, meandering, and unbalanced, in terms of both pacing and genre. It’s almost as though it can’t quite decide what it wants to be. Somehow, it is too long and yet not long enough.
Oddly enough, a book with this kind of pacing normally wouldn’t be able to hold my attention, but I was never once bored! I think that is to do with two factors. One is my own personal interest in Georgian London as well as the history of prostitution. Harlots is one of my favorite shows. The amount of historical detail Gowar displays here is simply astonishing. It stops just shy of being too much, but because of this detail I could picture everything so, so clearly; I felt like I was inhabiting this time period. Continue reading “Book Review: The Mermaid & Mrs. Hancock by Imogen Hermes Gowar”
We’re halfway through the year already. Incredible. It feels like it’s gone by in the blink of an eye, but it’s also felt like approximately three thousand years. Anyway.
My reading this year has been pretty steady; I’ve read 56 books thus far. At the beginning of, you know *gestures at everything* I was still reading a ton of books, but now I seem to be falling into a reading and writing slump, so there’s that. Alas. Continue reading “The Mid-Year Book Freak Out Tag 2020”
The Invisible Life of Addie LaRue
October 6, 2020
This is by far the best Schwab book I’ve read, and yet I’ve still come away from the experience in much the same way I’ve come away from reading all her other books, which is to say: I think that, on a technical level, this is an absolutely brilliant book and I can’t fathom giving it less than five stars, but I still have several criticisms. And I just know there’s going to be so, so many effusive and glowing five-star reviews of this book (they’re coming out already), which are well-deserved, but I’d still like to discuss some of the issues I had.
Continue reading “Book Review: The Invisible Life of Addie LaRue by V.E. Schwab”